A photographer has endeavored to capture 8,000 faces of strangers mainly in the Boston area.
Gregory Katsouis began the project with the initial goal of taking 100 portraits of strangers and before long he decided to expand the parameters.
“I’ve always been fascinated by faces and the stories they tell,” Katsouis tells PetaPixel. “When I first moved to the city, I was overwhelmed by the number of people I would see each day and by my understanding that each one of them had their own rich story that I was briefly glimpsing.”
Katsouis sees the project as a way of connecting with society that can seem increasingly cold as interacting with one another shifts to the online domain.
“I do hope that something in the juxtaposition of so many random, disparate people creates something humanizing,” the photographer says.
“I would love for the people in this project to suddenly see themselves as others see them, without the self-criticism we all seem to bring to photos of ourselves. In a broader sense, I want to help engender empathy in an increasingly polarized society.”
Though the project is called 8,000 faces, that number is actually quite arbitrary.
“The username I wanted was taken,” Katsouis explains. “But 8,000 faces was available as both an Instagram handle and a website domain.”
In fact, Katsouis thinks that he will “probably keep going” once he hits 8,000 faces (he is currently on 4,992).
The project is mainly shot in black and white. Katsouis says he enjoys the flexibility of monochrome portraits that flatter a diversity of people when processing from a RAW color photo into black and white.
The bulk of the project is on his website but to make it more accessible, he began an Instagram account which gives him a bit more creative license.
“Instagram strongly favors a square image,” he says.
“I decided I could give myself more freedom to share multiple images and the occasional color image.
“I do this when I find something compelling about the color image, like the incredible autumnal colors of the background, a bright pink top that says something about the playfulness of the subject, or the rainbow colors worn by someone giddy from participating in a Pride event.”
Katsouis likes to shoot wide open on a Canon R5 with a 24-70mm f/2.8 or a Canon 5D Mark IV with a 50mm f/1.4.
“It’s also notable that the 50mm lens is smaller and thus less intimidating which may put some folks more at ease,” he adds.
Speaking of putting folks at ease, it can be intimidating for both the photographer and the subject when carrying out this type of street photography.
“I get a pretty full range of human reactions from utter delight to nervous excitement to occasional disdain,” Katsouis notes of his experiences approaching people in the street.
“I think it is important for people to feel comfortable with their answer, whether it’s a ‘yes’ or a ‘no.’ Because my project is, at its core, about empathy, I keep in mind that I don’t have any idea where the person I’m talking to is coming from.”
Katsouis says he has had people reveal personal details of their lives to him, such as that they are going through a breakup or that they’ve just gotten engaged.
“Who says ‘yes’ and who says ‘no’ can be surprising so it is important to try and approach everyone with an open mind,” he adds.
“That said, I have some rules about who I will ask. No one who is arguing. I rarely approach anyone who is on their own. I try not to bother people when they are eating. The biggest factor in deciding who to ask, though, is if they are in or near good light.”
Katsouis’ 8,000 Faces project can be found on his website and Instagram.
Image credits: Photographs by Gregory Katsouis.