Kirsten Griffin is an Oklahoma-based fine art photographer whose stunning portfolio showcases her deep connection to the natural world. Through her simple yet abstract compositions and strong graphic style, she captures the beauty of the environment. Her talent for composition and clean aesthetic is evident in her breathtaking photographs of horses.
Griffin’s equine photography is both elegant and uncomplicated. She has traveled around the globe, capturing horses in various settings, from the picturesque beaches of Europe to the vast ranches of the American West. One particular image that caught the viewer’s attention is a captivating portrait of a Friesian horse that appears to be taken in a studio. Intrigued by how one would photograph a horse in a studio, the question arises. As it turns out, Griffin brings the studio to the horse. This particular image was taken early in the morning on a beach in Camargue, France. The horses were calmly enjoying the weather, creating a carefree and whimsical atmosphere that Griffin fell in love with.
The interview then delves into Griffin’s personal connection to horses and why humans are so captivated by these majestic creatures. Although she did not grow up around horses, Griffin has always been drawn to them. She was told as a child that she was “wired like a thoroughbred,” suggesting her incredible sensitivity and unique perception of the world. When she decided to focus on photography seriously, horses became a natural subject for her. Her first workshop with renowned equine photographer Tony Stromberg solidified her bond with these animals. Griffin discovered that her ability to approach horses gently and be in their presence calmly and quietly came naturally to her. She found solace in observing and communing with them, sensing a deep connection and understanding. Griffin believes her sensitivity and appreciation for horses stems from their own sensitivities, strength, grace, and power.
The conversation continues with discussions about different photography styles and locations. The viewer notices that some of Griffin’s horse photographs have white backgrounds and lighting that seem studio-like. This led to the question of whether these images were taken in a studio or if it was simply natural sunlight against a bright sky. Griffin explains that these specific images are from a workshop she attended in Friesland, the Netherlands. A large white Dutch sail was used as a backdrop, and a trainer expertly moved the horses in front of it. The striking contrast of the black horses against the white backdrop created a stunning effect. Griffin also shares her technique for achieving a clean look when photographing horses against a white background in other locations. If the horse is uninterested in the backdrop concept, she gets low and shoots upward, slightly overexposing the image. This high-key technique still achieves a clean look.
Griffin’s compelling aesthetic is centered around minimalism, simplicity, and graphic strength. She strives to simplify her images and eliminate any clutter, a skill she continues to develop. She compares the editing process to that of writing, recognizing that the key is knowing what to keep and what to omit. Griffin relies on her intuition and body’s response to know when an image feels right.
The interview concludes with a discussion about Griffin’s favorite destinations for equine photography. She has been fortunate enough to travel internationally and capture horses in various locations. She particularly enjoys visiting the Camargue region in France, known for its popular white horses. The experience of witnessing the horses running in the water is both exhilarating and awe-inspiring. Iceland is another destination Griffin has visited twice, where she encountered friendly Icelandic horses with gorgeous colored coats and thick manes. She points out that these horses have maintained their pure bloodline for over 1,000 years since the Vikings first brought them to Iceland. Griffin also mentions her time at Return to Freedom, a wild horse sanctuary in California. During her visit, she learned the importance of approaching horses with honesty and integrity, understanding that they can sense emotions and intentions. Griffin always approaches horses with a pure heart, aiming for a mutual exchange rather than just taking a picture.
In closing, Griffin offers advice to photographers interested in capturing horses, emphasizing the significance of building a genuine connection with the animals. She suggests approaching horses calmly and centered, without any agenda. The focus should be on witnessing their beauty and creating a mutual exchange rather than solely photographing them.