French film-maker Alice Winocour’s brother was inside the Bataclan concert hall in Paris in November 2015; in interviews she has talked about texting him while he hid. He survived the massacre, and now she has made a drama about a fictional terrorist attack on Paris. It’s not about the bloodshed or war zone carnage; her film is a kind of psychological detective tale, following a survivor as she tries to piece together her memories of what happened on the night. It’s a measured, quietly powerful film with a performance from Virginie Efira that seems almost telepathic at times; in scenes where she doesn’t say a word, barely twitching a muscle in her face, yet somehow you know what she’s feeling.
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