Fujifilm X100VI Craziness Continues | The PetaPixel Podcast
As if getting your hands on a Fujifilm X100VI wasn’t hard enough, this past week was even more challenging for those who tried to nab one of just 300 available …
As if getting your hands on a Fujifilm X100VI wasn’t hard enough, this past week was even more challenging for those who tried to nab one of just 300 available …
The gigantic sandworms go on the warpath in “Dune: Part Two” The cinematographer behind Dune: Part Two has revealed how he was able to make everything look so big in …
Sigma may be best known for its photographic lenses, but the company’s video-specific Cine lenses are very well regarded in the industry. So much so, in fact, that the Giant …
Oppenheimer cinematographer Hoyte van Hoytema urged aspiring filmmakers to shoot with old-school film formats in his Oscars acceptance speech. On Sunday, van Hoytema won the Academy Award for Best Cinematography …
A wide shot of Robert Downey Jr.’s character Louis Strauss in Oppenheimer. Christopher Nolan’s love affair with IMAX cameras is no secret and the director’s enthusiasm for them caused new …
There’s something magical about the moment the ground falls away as we soar into the air. The helicopter’s engines start to whir, and everything begins to shake. Cameras are ready, …
The cinematographer behind the Oscar-nominated film The Holdovers has revealed how he made the movie look, feel, and sound like it was actually made during the decade it is set …
Among the many things you couldn’t possibly forget about Emerald Fennell’s hit movie Saltburn, one of them surely was the film’s highly unusual 4:3 aspect ratio. Emerald Fennell’s latest film …
The cinematographer behind Poor Things has revealed how he filmed the movie’s iconic dance scene between Emma Stone and Mark Ruffalo. Yorgos Lanthimos’ new film Poor Things follows Bella Baxter, …